Glorifying motherhood and mom guilt have been happening in our cinema ever since the 60s and 70s, says senior journalist Kavitha Muralidharan. “In Parasakthi (1952), we have a widow with a kid, and a ...
In the two movies that essentially had to condense 3,500 pages worth of richly-imagined historical fiction, Mani Ratnam’s Ponniyin Selvan had a lot riding on tacit, economical performances. For ...
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