Their origin stories have little in common, but 18-year-old Karazim and 17-year-old Ziesemer are emerging forces in the Indianapolis music community.

In this short film Howard Goodall examines Claude Debussy and the transition away from traditional composition methods.

John Denver’s “Take Me Home, Country Roads” has become the unofficial anthem of the U.S. men’s national soccer team at the ...

Ready for an absolute trip down the digital memory lane? Discover 14 famous internet trends from the 2000s that faded away.

The Carnegie Hall 2026 Ivy Terrace Outdoor Music Series continues with Strings of Green on Thursday, July 9, from 6:30 to 8 p ...

When Arkells announced their unusual tour plan, to play three venues of increasingly bigger size in the same city, I was ...

Polymarket has built an entire business on predicting the future. So how did it manage to spectacularly fail to predict its own hack? Plus, the Google engineer with a million-dollar ...

Community, mentorship, and networks are reshaping the music industry as organizations like Girls Who Listen redefine access ...

In Anna Meredith's body percussion piece 'Connect It' a variety of rhythmic sounds and movements are passed between the performers. This musical effect is known as a canon. A canon is where two or ...

Readers asked how the editors write crosswords, focusing on Canadian-made puzzles and if games are good for brain health ...

A researcher found that using Anthropic’s Claude Opus 4.7, he could break into the website of Front Gate—used by every ...

Amid widespread “techlash” over addictive screens and apps, the Yoto, an audio player for children, shows there’s still a way ...