When you think about the level of detail and labor that goes into a feature-length stop-motion film, it boggles the mind. It's that elbow grease and abundant creativity that make stop-motion animation ...
The film's portrait of the circus that surrounded the artist in the 1970s is a bit “predictable”, said Manohla Dargis in The New York Times: there are ostrich boas, “writhing bodies” and “a great deal ...
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