Watch Margaret Brennan's full interview with World Food Programme Executive Director Cindy McCain, a portion of which airs on "Face the Nation with Margaret Brennan" on May 31, 2026. 'Orthorexia' is ...
Emily Blunt refused to use AI during a key scene in director Steven Spielberg's new sci-fi film "Disclosure Day." ...
Are you OK to get started then? Oh, certainly. Perfect. So I wanna start with, uh, if we go back to September, the day of the arrest, what do you remember from that day? I think that day was memorable ...
This interview is part of Variety and CNN’s Actors on Actors series. Watch the full video interview at CNN.com/Watch (or on the CNN app) and on Variety’s YouTube ...
Having played End of Abyss at last year’s Summer Game Fest, I had a good idea of what I should expect. The game is a top-down Metroidvania roguelike that tasks you with exploring a seemingly abandoned ...
Steven Spielberg thinks his latest alien film is his most realistic alien movie yet. The director explained in a new interview how he dove into “Disclosure Day” looking to make it more factually ...
From improv in Krypton’s language to choosing the big action scene’s song, director Craig Gillespie and screenwriter Ana Nogueira go deep on Supergirl’s movie moment Ana, is it true that you wrote a ...
Steven Spielberg has always believed we’re not alone in this universe. With ‘Disclosure Day,’ he may make a believer out of ...
Steven Spielberg has spent nearly 50 years asking whether humanity is alone. With Disclosure Day, he sounds less interested in imagining the answer than in ... Read More ...
During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs ...
Emily Blunt, Colman Domingo, and Josh O'Connor share how their perspectives on extra-terrestrials and unidentified anomalous phenomena (UAPs) have changed since working on "Disclosure Day." ...
His new alien thriller has shades of “Close Encounters of the Third Kind,” “Minority Report,” even “The Post”—but the retreads yield diminishing returns.